An Interactive Study Guide for CPAR
This guide covers the essential concepts related to the use of local and indigenous materials in Contemporary Philippine Arts, aligning with the MELC code CAR11/12TPP-0c-e-11. It emphasizes understanding how an artist's choice of material—such as abaca, rattan, or recycled objects—impacts the artwork's meaning, reflects regional identity, and contributes to the national value of Makabansa (patriotism) and environmental sustainability.
Filter by category or click on a card to learn more about each material. (All, Key Local Materials, General Terms)
The artistic and cultural significance of the physical materials used to create an artwork.
Materials native to a specific region, often carrying deep-rooted cultural significance.
Any materials, whether indigenous or not, that are obtained from the nearby vicinity.
Materials derived from living organisms, such as wood, fibers, leaves, and shells.
Materials derived from non-living sources, such as clay, stone, sand, and metals.
A quilting and stitching technique used by artist Pacita Abad to create her large, padded canvasses.
A strong, natural fiber from a species of banana native to the Philippines, used in textiles and sculpture.
The largest palm in the Philippines, whose leaves provide fibers for creating hats, bags, and mats.
A type of climbing palm with flexible woody stems, widely used in furniture and handicrafts.
Translucent shells from a marine mollusk, used decoratively in windowpanes, lampshades, and ornaments.
Discover key Filipino artists who champion local materials.
Known for 'Trapuntos'
A renowned Filipina artist known for her vibrant, large-scale textile collages called 'trapuntos.' She incorporated a wide range of materials, especially local textiles, into her works, celebrating Filipino culture and identity.
Known for Found Object Installations
A Filipino contemporary artist known for his complex, kinetic installations using a wide array of found and recycled objects. His work often explores themes of mortality and the human condition, transforming discarded materials into intricate, theatrical tableaus.
Test your understanding with these active recall questions (Click the question to reveal the answer):
Materiality considers the material's origin, cultural significance, texture, and symbolic meaning. It's not just what the art is made of, but why that material was chosen and what message it carries intrinsically.
Indigenous Materials are native to a region and have deep cultural roots (e.g., T'nalak fabric for the T'boli people). Locally Sourced Materials are any materials found nearby, which could include indigenous ones but also recycled plastics, scrap metal, or common woods. Both are important for reflecting an artist's environment and promoting sustainability.
It champions Filipino identity by showcasing the beauty and utility of the country's natural resources. It supports local communities and craftspeople, reduces reliance on imported goods, and creates art that is distinctly and proudly Filipino in its substance.
Using recycled materials (upcycling) reduces waste that would otherwise go to landfills. It minimizes the need for new raw materials, saving energy and natural resources. Artists like Gabriel Barredo give new life and value to discarded objects, making a powerful statement about consumption and environmental responsibility.